I think sculpture is a great medium to photograph in black and white. Without the distraction of colour, we can focus on forms and textures; like the folded wire mesh of Wolf Habichhorst’s garden lights, or the wood grain in Karen Walters’ carved seed pods.
Cast and rendered works , like Frank Watson’s The Thoughtful Fish and Sam Harrison’s Gretchen, reveal textures that are a legacy of their production processes.
All of these images are taken from the outdoor sculpture exhibition, NZ Sculpture OnShore. As well as being New Zealand’s largest such exhibition, is also a fund-raiser for Women’s Refuge — donating over $1.5m to the cause since its inception. The exhibition is held on a beautiful cliff-top location, overlooking the harbour. On a sunny day, the backdrop of sparkling water and blue sky can enhance visitors’ enjoyment of the huge range of work exhibited. But sometimes, we can better see the artist’s vision and intent by taking away the colours of sea and sky. I think it’s easier to focus on the play of light and shade in Rebecca Rose’s ‘In Flight Entertainment’ without gazing at the background blues and greens of trees and ocean.