Moving on from colour: form and texture in sculpture

Detail of Wolf Habichhorst's nikau garden light sculptures, NZ Sculpture OnShore, 2014. Photo: Su Leslie. Edited with Snapseed.

Detail of Wolf Habichhorst’s nikau garden light sculptures, NZ Sculpture OnShore, 2014. Photo: Su Leslie.

I think sculpture is a great medium to photograph in black and white. Without the distraction of colour, we can focus on forms and textures; like the folded wire mesh of Wolf Habichhorst’s garden lights, or the wood grain in Karen Walters’ carved seed pods.

Detail from Karen Walters, 'Tree of Golden Pods', NZ Sculpture OnShore, 2014. Photo: Su Leslie, edited with Snapseed.

Detail from Karen Walters, Tree of Golden Pods, NZ Sculpture OnShore, 2014. Photo: Su Leslie.

Cast and rendered works , like Frank Watson’s The Thoughtful Fish and Sam Harrison’s Gretchen, reveal textures that are a legacy of their production processes.

Frank Watson, 'The Thoughtful Fish', NZ Sculpture OnShore, 2014. Photo: Su Leslie. Edited with Snapseed.

Frank Watson, The Thoughtful Fish, NZ Sculpture OnShore, 2014. Photo: Su Leslie.

Sam Harrison, 'Gretchen.' NZ Sculpture OnShore, 2014. Photo: Su Leslie

Sam Harrison, Gretchen. NZ Sculpture OnShore, 2014. Photo: Su Leslie

All of these images are taken from the outdoor sculpture exhibition, NZ Sculpture OnShore. As well as being New Zealand’s largest such exhibition, is also a fund-raiser for Women’s Refuge — donating over $1.5m to the cause since its inception. The exhibition is held on a beautiful cliff-top location, overlooking the harbour. On a sunny day, the backdrop of sparkling water and blue sky can enhance visitors’ enjoyment of the huge range of work exhibited. But sometimes, we can better see the artist’s vision and intent by taking away the colours of sea and sky. I think it’s easier to focus on the play of light and shade in Rebecca Rose’s ‘In Flight Entertainment’ without gazing at the background blues and greens of trees and ocean.

Rebecca Rose, 'In Flight Entertainment.' NZ Sculpture OnShore, 2014. Photo: Su Leslie

Rebecca Rose, In Flight Entertainment. NZ Sculpture OnShore, 2014. Photo: Su Leslie

This post was written for Sally D’s Mobile Photography Challenge. You can see Sally’s photos, and find out more here.

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18 thoughts on “Moving on from colour: form and texture in sculpture

  1. Pingback: Sally D’s Mobile Photography Challenge: Black and White (Today Launches a new Title for the Challenge) | Lens and Pens by Sally

  2. Sometimes in the pressure of getting a photo out for a challenge, I just tend to search for photos to covert. I suppose it’s a lazy way out. I do agree that textures and light bring black and white to life. Thank you for this reminder of photographing art.

    Liked by 1 person

    • I know what you mean; I love the challenges, but sometimes participating is the major challenge. I definitely have themes that I rework, but blogging is so much about sharing our passions, I guess that’s inevitable. Thanks for stopping by and commenting. 🙂

      Liked by 1 person

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