I know that Sarah at Art Expedition intends to write about Casablanca for a Film Friday post, and I apologise for my poor form in preempting my hostess. I had in fact written an entirely different post, but it was about a comedy, and I’m not really in the mood for a laugh.
So, Casablanca. A man who’s doing ok in difficult times gives it all up — including the chance to be with the woman he loves — because it’s the right thing to do.
The film’s hero, Rick is complex; a tough-guy with a heart of gold, a man with a past, an American exiled in Europe. A crook. A mercenary. A lover. A man with power over other people’s lives who chooses to use that power to help rather than destroy.
The film was based on an un-produced play, Everybody Comes to Rick’s, and was made before the United States entered WWII in December 1941. In Casablanca, Rick embodies America — an isolationist finding that position increasingly untenable in a brutal, collapsing world. When Rick made his decision to sacrifice personal happiness to join the fight, America itself was still undecided. Casablanca was propaganda wrapped in a love story with a side order of dark humour.
You see where I’m going with this? The world is in turmoil again (or still, depending on how you look at it). Environmental and social collapse are not as far away as we’d like to think and every one of us is living in Casablanca.
The question is: what will we choose to do about it?
One of the scenes I love best in the movie is where the patrons of Rick’s bar — led by the resistance leader Victor Laszlo — begin singing La Marseillaise to drown out a group of German officers singing their own patriotic songs.
Like everything else in the film, the symbolism is clear and powerful. Stand up, and use the collective power of many voices to drown out the bullies.
But if recent events have taught us anything, it’s that speaking is not enough.
So whatever your equivalent of La Marseillaise is, by all means sing it at the top of your voice, but we also need to dig deeper. We may not have to risk our lives or throw away our livelihoods and lovers like Rick, but many of us do have the power to make a difference; with our votes, our wallets, our actions — especially our actions. And especially around our kids.
And for the natural cynics, like me:
Rick:
Don’t you sometimes wonder if it’s worth all this? I mean what you’re fighting for.
Victor Laszlo:
You might as well question why we breathe. If we stop breathing, we’ll die. If we stop fighting our enemies, the world will die.
About Film Friday
Sarah at Art Expedition, and Darren, The Arty Plantsman have initiated this great new blogging project. You can find out more and see their chosen films for the week by visiting the latest post by Darren and Sarah.
#filmfriday
Astonishingly, for a woman of my age, I’ve never seen Casablanca. I always assumed it to be a period piece. You’ve made it seem much more relevant than that.
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You’ve NEVER SEEN CASABLANCA? You need to see it, Margaret – great acting and apposite for our times?
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I’m sure you’re right Sue. I wonder if I could pop down to the Curzon this afternoon and see it??
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I studied film and sociology so I tend to “read” all movies in terms of their social context, but Casablanca is a classic — not only because it’s beautifully made but because of its propaganda role.
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It’s a classic Su.
Leslie xoxo
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One of my absolute favourites.
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and with good reason…
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One of my favorites!
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A great post Su. I confess I have never seen the whole film but your interpretation of it makes me see how relevant it is and that I should watch it.
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Thanks Darren. I’ve watched it loads of times, including a few weeks ago, but it’s not til I found myself humming La Marseillaise yesterday morning that the connections fell into place. The sub-conscious mind eh!
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I marvel at the way minds work Su. The sub-conscious can be an amazing thing.😍
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Probably if not my favorite movie (and it may be), one of my top five. Other than movies I loved in childhood like The Wizard of Oz or Sound of Music, it’s the movie I’ve seen the most.
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I’ve seen it many times too — but my record for viewings is over 20 for Mr Wrong — the film I wrote a thesis about.
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I don’t even know that one! Have you blogged about it?
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It’s a New Zealand Film, from 1985, and had quite a limited release in the US. I wrote about it here https://zimmerbitch.wordpress.com/2020/04/04/film-friday-mr-wrong/
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Humphrey Bogart was always one of my favorite actors–this is classic. Excellent selection, Su.
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Thanks Lois
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I could not sit through Casablanca, Su. 😮 We’ve debated it at home since your post. Full of tropes was one suggestion. I wouldn’t know as I couldn’t cope. We much preferred the Maltese Falcoln.
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I love The Maltese Falcon too.
Umberto Eco argued that Casablanca works precisely because of the cliches, and reading that I had a bit of an “aha” moment.
He said:
“Casablanca” is a hodgepodge of sensational scenes strung together implausibly; its characters are psychologically incredible, its actors act in a mannerist way. Nevertheless, it is a great example of cinematic discourse, a palimpsest for the future students of twentieth-century religiosity, a paramount laboratory for semiotic research in textual strategies. Moreover, it has become a cult movie.
“Casablanca” “is not one movie. It is `the movies.’”
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Well you can’t argue with that. 🙂
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Not an Eco fan?
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I don’t know him. 😟
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I wasn’t being facetious.
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Sorry Tracy; I’m going to blame knee pain for my stupid comment.
Umberto Eco was one of those intellectual figures that if you occupy the right little cultural studies niche becomes rock-star famous. He picked apart modern life and culture and wrote about them in a way that I find incredibly enlightening and entertaining. He also wrote some very cool novels, including The Name of the Rose (made into a film with Sean Connery and Christian Slater) and Foucault’s Pendulum.
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Thank you for the information, Su. I’ve seen the movie, The Name of the Rose, and I’ve heard about the Foucault’s Pendulum, but I haven’t read the book.
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I found Foucault’s Pendulum both incredibly difficult, and brilliant. I’ve read it a couple of times — a while ago. I’m not sure my brain would cope with it now. It’s also quite depressing, even more so now than when I read it last.
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I like the connection here! It’s not what I remember of the film, but it’s been a long, long time. Great film.
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I think we all see films in different ways
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The first of your films that I have actually seen (and more than once). I feel I now need to watch it again with the benefit of your insight (I just saw a film)!
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😀
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I don’t mind at all that you chose to write about Casablanca before I did, Su, and incidentally: I meant to write about a comedy as well but then didn’t feel like it either (great minds think alike, eh?).
I LOVE Casablanca – everything about it really but the scene you’ve mentioned? Goosebump material! And how awesome you made the connection to modern day – we should make a film where a stupid dictator is NOT being re-elected, maybe that would help? 😂
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I’m glad you’re ok about it; it was THE film I needed to write about.
I wonder if anyone will risk making a satire about the current situation — or is it too unbelievable for fiction?
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Probably! Truth is stranger than fiction sometimes…
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T and I were having this conversation yesterday — about our neighbours actually. They are so over the top appalling, that if we were writing them as characters in a TV show, we’d have to tone them down to make them believable.
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Similarly to Anabel, have dipped in and out of the film several times over the last couple of years, but never managed to catch the whole thing. Now I’m interested. Thank you!
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Funny but I’ve never seen Casablanca but it sounds astonishingly apt for today. Thanks for sharing your always welcome wisdom
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Thanks Amanda.
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Reblogged this on Serendipity Seeking Intelligent Life on Earth and commented:
Isn’t it weird how themes recur? We don’t have the whole German army marching into Paris, but it rather feels like it these days.
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The big difference is, last time Europe was waiting for the US to come to the rescue. I’m not sure who’s going to save us now. Aliens perhaps?
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I get chills watching the La Marseillaise scene!
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Me too; and I’m always teary by the end of it
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