“A photograph is a secret about a secret. The more it tells you the less you know.” —
Diane Arbus
Images: Su Leslie 2019
Posted to Debbie’s weekly quote challenge.
“A photograph is a secret about a secret. The more it tells you the less you know.” —
Diane Arbus
Images: Su Leslie 2019
Posted to Debbie’s weekly quote challenge.
“The detail is as important as the essential is. When it is inadequate, it destroys the whole outfit.” — Christian Dior
A couple of years ago, I went to an exhibition called The House of Dior: Seventy Years of Haute Couture, at the National Gallery of Victoria in Melbourne.
I doubt anyone could ever call me a fashionista, but I do love beautiful things — and that exhibition was a feast of beautiful things.
“A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body.” — Christian Dior
Understandably, the gallery lighting wasn’t great for photography, but I hope these few images can convey some of the design genius and attention to detail that has made the House of Dior famous.
Posted to Lens-Artists Photo Challenge | detail
‘Reflection of a Journey‘, Torild Storvik Malmedal (2015); marble and glass. Seen at Sculpture by the Sea, Bondi, 2018. Image: Su Leslie
Street art, Whangarei, NZ. Image: Su Leslie 2019
On a recent weekend in Whangarei I was really impressed by the amount and quality of the street art that has been installed around the city. It seems that street art has moved from an underground, rebel act to one approved, organised and funded by local authorities.
Not that I’m complaining.
This was my favourite work. I wish I could find out more about it.
Detail; street art, Whangarei, NZ. Image: Su Leslie 2019
Seen at Bright Nights light show 2019, Auckland. Image: Su Leslie 2019
Prepared: strong winds could bring power outages this evening. Image: Su Leslie 2019
I think of simplicity in photography (Mies van der Rohe’s famous “less is more”) as more than the limiting of elements or a paring back of visual noise. I think it is also about creating space for the viewer to make their own story from the image.
What do you think? How much do you like (or loath) ambiguity in an image?
Thank you to Debbie at Travel with Intent for reminding me of Ansel Adams’ statement that “There are always two people in every picture: the photographer and the viewer.”
And thanks also to Amy at The World is a Book for hosting this week’s Lens-Artists Photo Challenge | less is more.
When we look at a piece of art, it is easy to forget that in its making, it may have gone through many stages or forms quite different to the end result.
Polymer clay doll-making is an excellent example, often beginning with a wire and aluminium foil armature around which clay is formed — sometimes for the whole body, but in many cases just for heads, hands and feet.
Once the clay is sculpted and baked it must be cooled before the soft materials that will form the body can be attached. Image: Su Leslie 2019
Clay, especially small pieces, are extremely fragile and need to be properly cooled before the next stage can begin. Image: Su Leslie 2019
I have made dolls in the past, but these belong to students at a recent workshop held by an artist friend. I was there solely as the photographer.
I must say though, it did rather inspire me.
Posted to the Lens-Artists Photo Challenge | something different
If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him… We must never forget that art is not a form of propaganda; it is a form of truth.” — John F. Kennedy
Posted to Debbie’s Six Word Saturday