All that is solid melts into air

all that is solid b&w1

Riverside, Greenwich, London. Photo: Su Leslie, 2015

It is ironic, or perhaps just fitting, that these words should be painted on rusting industrial pipes abandoned beside London’s river Thames; they come from The Manifesto of Communist Party, written by Karl Marx and Friedrich Engels, and first published in London in 1848.

The phrase is from a section of the manifesto (1) describing the ways that capitalism fundamentally changes economic, social and even physical structures. By their nature, capitalist enterprises require constant growth and innovation to survive. With changing economic conditions, old social and cultural relationships give way (willingly or not) to new forms of engagement. That which seemed permanent is no more.

London, like many cities, is growing rapidly, with huge physical changes to the landscape. Much of this growth — in construction and infrastructure development — is taking place south of the river around Greenwich and eastward towards the Thames Estuary. The skyline is punctuated with the harsh geometry of cranes and tower blocks.

London skyline. Photo: Su Leslie, 2015

View from a Greenwich apartment. Photo: Su Leslie, 2015

Earlier this year, we spent a week in Greenwich. Our apartment, occupying a corner position on the seventh floor of a building, had expansive views; of the Cutty Sark, of the three-hundred-year-old St Alfege church (designed by Nicholas Hawksmoor) — and of building work. From every window, the prevailing view was of cranes and half-built apartment blocks, rising above London’s history.

Old and new. Local pub closed, as new apartment developments rise up. Greenwich, London. Photo: Su Leslie, 2015

Loss of community. No place for an old-style neighbourhood pub amidst new housing developments. Greenwich, London. Photo: Su Leslie, 2015

Canary Wharf Station, London. Photo: Su Leslie, 2015

Evening at Canary Wharf Station, London. Photo: Su Leslie, 2015

We are beginning to wake up to the fact that unlimited growth is not possible on the closed, finite system that is our planet. Voices of dissent are growing in strength and number and I would like to think that Marx’s words can have another meaning — that neo-liberal ideologies, which are currently made to appear as “solid fact”, will melt in the heat of public scrutiny and critical analysis.

Change is inevitable; the form it takes is up to us.

This post was written for Sally D’s Mobile Photography Challenge.

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(1) The full paragraph is:

The bourgeoisie cannot exist without constantly revolutionising the instruments of production, and thereby the relations of production, and with them the whole relations of society. Conservation of the old modes of production in unaltered form, was, on the contrary, the first condition of existence for all earlier industrial classes. Constant revolutionising of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind (I. Bourgeois and Proletarians, Manifesto of the Communist Party, 1848).

 

Travel theme: grey

Memorial to the Women of World War II. Sculpted by John W. Mills. Whitehall, London. Photo: Su Leslie, 2015

Memorial to the Women of World War II. Sculpted by John W. Mills. Whitehall, London. Photo: Su Leslie, 2015

As a colour, grey gets pretty bad press; associated with bad weather and gloomy days. But it is also the colour of many sculptures — like the bronze above which commemorates the enormous contribution made by women during war — and Rebecca Rose’s “Inflight Entertainment” below, which is made of stainless steel.

Rebecca Rose, "Inflight Entertainment", 2014. Exhibited at NZ Sculpture OnShore, 2014. Photo: Su Leslie, 2014

Rebecca Rose, “Inflight Entertainment”, 2014. Exhibited at NZ Sculpture OnShore, 2014. Photo: Su Leslie, 2014

The works below, by Trish Clarke and Merle Bishop are also in steel and bronze respectively, although the grey that predominates in the image is that of a stormy evening sky.

Trish Clarke's "Round Up aka Triffid Garden", and Merle Bishop's "Spot the Blind Dog", exhibited at NZ Sculpture OnShore, 2014. Photo: Su Leslie, 2014.

Trish Clarke’s “Round Up aka Triffid Garden”, and Merle Bishop’s “Spot the Blind Dog”, exhibited at NZ Sculpture OnShore, 2014. Photo: Su Leslie, 2014.

London skyline on a stormy day. Photo: Su Leslie, 2015

London skyline on a stormy day. Photo: Su Leslie, 2015

In the two shots above, leaden skies hang over already grey structures. In countries were rain is abundant (like the UK and New Zealand) grey clouds are often spoken of negatively — something I’ve noticed increasingly in our TV weather forecasts. For me, they speak of drama and change — things I view positively.

Grey is this week’s Travel Theme at Where’s My Backpack. You can see Ailsa’s wonderful shots here. And here are some other bloggers’ take on the theme that I liked:

Grey

https://drieskewrites.wordpress.com/2015/08/07/travel-theme-gray/

Travel Theme: Rouen’s Cathedral is a Study in Grey

Grey Days

https://sonyavdg.wordpress.com/2015/08/07/travel-theme-grey/

Travel Theme: Grey

https://decocraftsdigicrafts.wordpress.com/2015/08/09/travel-theme-grey-travels-around-new-zealand/

https://beautyalongtheroad.wordpress.com/2015/08/08/shades-of-gray/

 

 

On today’s modern becoming tomorrow’s traditional

National Maritime Museum, Greenwich, London, with the new buildings of the Docklands area in the background. Photo: Su Leslie, 2015

Generations of modernity. The Queen’s House,  the Old Royal Naval College, Greenwich, and behind them, the new buildings of London’s Docklands area. Photo: Su Leslie, 2015

 

The modernity of yesterday is the tradition of today, and the modernity of today will be tradition tomorrow.

Jose Andres Puerta

When The Queen’s House (1) was built for the wife of King James I in 1619, it would have been considered radical, unusual, and modern in the extreme.

Designed by Inigo Jones — regarded as Britain’s first modern architect — it is the first building constructed in the UK that consciously followed the principles of classical architecture, inspired by the temples and other buildings of ancient Rome and Greece. The Queen’s House now sits alongside Christopher Wren’s Greenwich Hospital (2) (better known now as the Old Royal Naval College) with its baroque Painted Hall, and both co-exist with the modernist glass towers of London’s Docklands.

Yinka Shonibare, Nelson's Ship in a Bottle. Maritime Museum, Greenwich. Photo: Su Leslie, 2015

Yinka Shonibare, Nelson’s Ship in a Bottle. National Maritime Museum, Greenwich. Photo: Su Leslie, 2015

The interplay of the modern and the traditional-which-once-was-modern is all around us.

I love the giant ship-in-a-bottle created by artist Yinka Shonibare. Using a traditional craft form developed by nineteenth century sailors (3), Shonibare created a very modern work of art in his replica of  HMS Victory. This was the naval ship from which the British hero Admiral Lord Nelson fought the Battle of Trafalgar in 1805, and on which he died during that battle. The ship’s sails are made from fabric bearing colourful batik designs commonly found in West Africa. By using this fabric, Shonibare acknowledges Britain’s complex colonial past and contemporary issues of immigration, ethnic identity, and cultural appropriation.

Nic Fiddian-Green, Still Water, 2011. Sited at Marble Arch, London. Photo: Su Leslie, 2015

Nic Fiddian-Green, Still Water, 2011. Sited at Marble Arch, London. Photo: Su Leslie, 2015

Bronze is a traditional sculptural medium, and horses a very traditional subject in art, but Nic Fiddian-Green‘s monumental, 10 metre high horse’s head at London’ Marble arch, is a thoroughly modern take on both form and subject.

The British Library, with St Pancras Hotel, London in the background. Photo: Su Leslie, 2015.

The modernist British Library, with the gothic-style St Pancras Hotel in the background. Photo: Su Leslie, 2015.

The British Library opened in 1998 on Euston Road, London. Designed by British architect Colin St John Wilson, it is the largest public building constructed in the UK in the 20th century. The project took 37 years to complete and was highly controversial, with frequent changes to the design, specification, budget — even a total change of location (4).

The building’s design has been described as minimalist, brutalist, Scandanavian modernist. The Prince of Wales — famous for his loathing of modern architecture — apparently described it as resembling an academy for secret police (4).

The British Library has, as a neighbour on Euston Road, the St Pancras Renaissance Hotel (formerly the Midland Grand Hotel). Designed by English Gothic revival architect George Gilbert Scott, the original hotel opened in 1873. It closed in 1935, but was extensively renovated and re-opened in 2011. (6)

The irony of Gothic Revival architecture is of course, that even when it was new, it was never modern.

This post was written for Ailsa’s Travel Theme at Where’s my Backpack. This week’s theme was modern.

(1) The Queen’s House, Wikipedia.

(2) Old Royal Naval College website

(3) Ships in Bottles Association of America

(4) British Library, e-architect.co.uk

(5) Fiona MacCarthy, ‘A House for the Mind’, The Guardian, 23 February, 2008 (online)

(6) St Pancras Reniassance Hotel, Wikipedia.

On the collision of the curated and the entirely accidental

Seen in Selfridges window, Oxford Street, London. Photo: Su Leslie, 2015. Shot with iPhone4, edited with Pixlr Express.

Seen in Selfridges window, Oxford Street, London. Photo: Su Leslie, 2015. Shot with iPhone4, edited with Pixlr Express.

I seem to have developed a habit of photographing shop windows. I’ve only recently become aware of this, and have been thinking about it quite a lot. I think it’s because I love the interplay of items placed and framed deliberately — often with great care and at great expense — against the totally random nature of the world reflected in the glass.

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Still life with coral – and a couple walking their dog. Seen in window of design store, Munich. Photo: Su Leslie, 2015. Shot with iPhone4, edited with Pixlr Express.

Is it street photography? Abstraction? Or in the case below, self-portrait?

Captured in a store window in Bordeaux. "Jellyfish" made of fabric, chandelier, armchair, street scene and the photographer. Photo: Su Leslie, 2015. Shot with iPhone4, edited with Pixlr Express.

Captured in a store window in Bordeaux. “Jellyfish” made of fabric, chandelier, armchair, street scene and the photographer. Photo: Su Leslie, 2015. Shot with iPhone4, edited with Pixlr Express.

This post was written for Sally’s Phoneography and non-SLR Digital Devices Photo Challenge at Lens and Pens by Sally.

Cook until browned

Fuller's London Pride; a favourite brown drink.

Fuller’s London Pride; a favourite brown drink.

This week’s Travel Theme from Ailsa at Where’s my Backpack, is brown.

Now brown is a colour I actually quite like. We’ve used it a lot in decorating the house; our couches are nugget brown leather, and the kitchen cabinets dark oak – as are the photo frames in our “rogues gallery” of family photos.

When we bought the house it was full of goldish pine – a decor colour I really find hard to love. Yet, put the same hue on food and … well yum is about all I can say.

The images below were all captured at Covent Garden Market a couple of weeks ago – and I can tell you that the food tasted as good as it looked (not that I tried everything you understand).

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food1

food5

food2

food8

food9

Here are some other “Brown” posts you may enjoy:

http://esengasvoice.wordpress.com/2013/10/18/travel-theme-brown/

http://tahira007.wordpress.com/2013/10/18/travel-theme-brown/

http://nagpanaoan.com/2013/10/18/travel-theme-brown/

Travel Theme: The Brown Sardinian Hazelnut

http://dadirridreaming.wordpress.com/2013/10/18/travel-theme-brown/

http://drieskewrites.wordpress.com/2013/10/18/travel-theme-brown/

http://hanelstravels.com/2013/10/18/travel-theme-brown/

Travel theme: big

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Dwarfed: visitors to the Great Court at the British Museum

The British Museum holds  one of the biggest collections of material relating to human history and culture, with a permanent collection of over 8 million items. Around one percent of the collection is on display at any time, despite the fact that the museum is physically one of the largest in the world – covering an area of around 92,000 square metres.

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Inside the Great Court is the Reading Room of the British Museum.

The Great Court at the centre of the Musuem is the biggest covered square in Europe. The circular Reading Room used to be part of the British Library until that institution was moved to a new building nearby.

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Big; just a few of the books inside the British Museum Reading Room.

Since the Reading Room became part of the Museum, it has been opened to the general public. Before this, one had to register for a Reader’s Card to gain access to the library’s enormous collection. Karl Marx, Mahatma Gandhi, Virginia Woolf and Oscar Wilde all visited and worked there.

Dwarfed #2: the boy-child meets the boy-king.

Dwarfed #2: the boy-child meets the boy-king.

Thanks to Ailsa at Where’s my Backpack for this week’s travel theme: big