“A photograph is a secret about a secret. The more it tells you the less you know.” —
Images: Su Leslie 2019
Posted to Debbie’s weekly quote challenge.
I found this on the ground; pulled off by accident before it was fully opened. I’ve played a bit with the sharpness and contrast and added a filter or two for fun.
It’s too wet and cold to go out today, so I’ve been amusing myself with some photo-editing toys to create kaleidoscopic and fractal patterns.
I love the simplicity of kaleidoscopes, using mirrors to create a seemingly infinite number of possible patterns from whatever objects are placed inside them.
I’m not even going to try and understand the maths that replicates those mirrors in software, nor that which creates fractals.
Luckily, the Fractal Foundation has a definition for the more mathematically challenged:
Posted to the Ragtag Daily Prompt | patterns
of, relating to, or along a diameter.
in direct opposition; being at opposite extremes; complete:
diametrical opposites; a diametrical difference.
Posted to the Ragtag Daily Prompt| diametric
There are lots of way to experiment in photography; many in-camera (aperture, shutter speed, etc) and many more in post-processing (everything from cropping to applying filters).
Most of the time, most of us would probably say we experiment to make a “better” photograph. This of course raises the question of what makes one image better than another. Much of it is technical stuff: is it in focus? Grainy? Blurry? Have we managed not to cut granny off at the neck? Is the horizon actually horizontal?
But beyond that, how do we feel about an image? What emotion does it evoke? What story does it tell — about the subject? About the photographer?
Photography is a language which — whether we realise it or not — we are all quite adept at reading. Constant exposure to professionally produced photographic images (still and moving) in newspapers, magazine editorial, advertising, TV shows and movies — and more recently social media — has developed our photographic literacy.
So my experiment for the Daily Post’s Experimental Photo Challenge is to take a single image and create multiple edits. Do these differences in editing affect how you read the image?
You tell me?
Sometimes the unlikeliest image attaches itself to my imagination. The new leaves on what I think is a Photinia Red Robin (gardeners PLEASE correct me if I’m wrong), offered a nice composition with which to play.
I have become rather fond of the textures and colour effects of the Stackables app, and always enjoy an excuse to play there. This week’s editing and processing theme at Sally D’s Mobile Photography Challenge (at Lens and Pens by Sally) gives me just such an excuse.