Could it be more black and white? This sign at Te Papa Tongarewa, Museum of New Zealand repeats the words of a World War I recruiting poster. Photo: Su Leslie, 2014. Shot with iPhone4, colour-edited with Pixlr Express.
Amongst the visual arts, sculpture is one of my favourites. I also love the interface between two and three dimensional art. The piece above sits high above an exhibition space at Te Papa Museum of New Zealand in Wellington. The words are from a World War I recruiting poster. At the time, New Zealand was a British Dominion and was swift to follow Britain in declaring war on Germany and its allies. Almost ten percent of New Zealand’s population served in that war, and this tiny country of around one million souls suffered a casualty rate of 58 percent – amongst the highest of any nation in the conflict.
Coiled wire sculpture fixed to a white wall. Photo: Su Leslie, 2014. Shot with iPhone4, colour-edited with Pixlr Express.
With some embarrassment I admit that when I took these shots, I didn’t note down the name of the artist, or the work – something I feel quite bad about as I know how important it is to acknowledge the creativity of artists.
I loved these two pieces; elaborate coils of wire attached to a white wall. As the light changed throughout the day, visitors experienced different patterns – and indeed different sculptures.
Coiled wire sculpture fixed to a white wall. Photo: Su Leslie, 2014. Shot with iPhone4, colour-edited with Pixlr Express.
Kerrie Poliness, ‘Black O’. Installation at the Dowse Art Museum in Lower Hutt. Photo: Su Leslie, 2013. Shot with iPhone4, colour-edited with Pixlr Express.
Kerrie Poliness is a Melbourne-based artist. This installation at the Dowse Art Museum, Lower Hutt, NZ consists of lines drawn directly onto the walls with black marker pen – creating the illusion of three-dimensionality.
This week at Lens and Pens by Sally, the challenge theme is black and white. You can join in here.
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