Sunset swim. The boy-child enjoying the hotel pool, Tahiti. Image: Su Leslie, 2011
It’s been too long since the Big T and I had a “proper” holiday, and wanderlust has definitely set in.
Perhaps a return trip to Tahiti, where we enjoyed a week with our boy-child when he was still young enough to want to holiday with his folks.
Wine, pool, sunset, views. Yep, ticks all the boxes. Le Meridien, Punaauia, Tahiti. Image: Su Leslie, 2011.
Written for the Daily Post Photo Challenge : wanderlust.
Still life with hibiscus — or afternoon tea with a good book. Image: Su Leslie, 2017. Edited with Snapseed and Stackables.
The Making of Home, by Judith Flanders (pictured above) is my go-to book at the moment; something to be savoured and digested carefully in small, thoughtful bites.
It’s a social historical account of how the mythology of “home” has been constructed over the last few centuries, and of how that has changed everything from the placement of furniture to the value of women’s work. To quote the Financial Times’ review:
In The Making of Home, Judith Flanders has many interesting, and sometimes startling, things to say about what domesticity means to us, how that meaning has changed – and how it has endured. As she points out, nostalgia is the presiding spirit in the age of consumerism and has been so since the 18th century. Suburban homes across the developed world represent a longing for an imaginary pre-industrial age. These dreams are of course fantasies: until very recently, most homes were hovels carrying no deeper meaning for their inhabitants than shelter and survival. Few people, even two centuries ago, had more than one chair, let alone chairs sufficient for the contented family meal at the simple cottage table that is so integral to the northern European ideal. — Financial Times, October 11, 2014
In the Introduction, Flanders sets out to show how our notions of what “home” means are shaped by cultural representations. She examines Dutch 17th century paintings of domestic scenes — which have come to be regarded as “the very epitome of homeness” — yet bear little resemblance to actual Dutch houses of the time. This point is reinforced in a recent BBC Culture article “Why Vermeer’s paintings are less real than we think.”
These days, I measure the quality of a book partly by how many creative ideas it inspires in me. The Making of Home is scoring highly here; beginning with the little still life above. Simple capture of a peaceful moment? Or highly constructed ironic comment on hegemonic representations of domesticity?
This digression into the sociology of home was written for Sally D’s Mobile Photography Challenge at Lens and Pens by Sally.
Stripping the earth. Site of new housing development, Hobsonville Point, Auckland, NZ. Image: Su Leslie, 2017
I guess I am being somewhat literal in my interpretation of this week’s Daily Post Photo Challenge.
All around my city, topsoil is scraped and carted away, trees are wrenched out and whole ecosystems are destroyed. The land is stripped of its ability to sustain life, ironically to make way for more people who rely on the Earth for sustenance.
Am I missing something here?